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"The Talented Poststructuralist: Heteromasculinity, Gay Artifice, and Class Passing." In: Masculinity: bodies, movies, culture / edited by Peter Lehman. "Pussy galore: lesbian images and lesbian desire in the popular cinema." In: The good, the bad and the gorgeous: popular culture's romance with lesbianism / edited by Diane Hamer and Belinda Budge. Where Altman sees this lack of representative depiction as a failing, this article operates from a different basic understanding of the nature and function of cultural representation. It studies five films, the women perform their femaleness and their queerness both offstage and on, creating a new kind of female filmic spectacle"--Provided by publisher. Culture and the moving image "Queer Male Cinema and Feminism." In: Women and Film: A Sight and Sound Reader. Altman also notes in reference to "The Wedding Banquet," the representation of these emergent Asian gay communities is itself notably lacking in these films. Asian American history and culture."We Are Family: Miscegenation, Black Nationalism, Black Masculinity, and Black Gay Cultural Imagination." In: Race-ing Representation: Voice, History, and Sexuality / [edited by] Kostas Myrsiades and Linda Myrsiades. Lanham, Md.: Rowman & Littlefield Publishers, c1998. Isiling Nataf -- The gay gaze, or why I want my MTV / Steven Drukman -- La Belle Dame Sans Merci? "Laughing Hysterically: Sex, Repression, and American Film Comedy." In: Queer Representations: Reading Lives, Reading Cultures: A Center for Lesbian and Gay Studies Book / edited by Martin Duberman. New York: New York University Press, c1997."Gay and lesbian criticism." In: The Oxford guide to film studies / edited by John Hill and Pamela Church Gibson ; consultant editors, Richard Dyer, et al. Tauris ; New York : Distributed in the USA by Palgrave Macmillan, 2009. Relocating the homoerotic image of the "sad young man," a trope popular from Hollywood rebellion films of the 1950s and 1960s, to contemporary China, I discuss how this masculine icon has been transformed from one of heroic rebellion to one of existential isolation. The gaze revisited, or reviewing queer viewing / Caroline Evans, Lorraine Gamman -- Black lesbian spectatorship and pleasure in popular cinema / Z. new man' theme -- The transgressive sexual subject / Cherry Smyth -- We're here, we're queer and we're not going catalogue shopping / Gregory Woods --Monika Treut: an outlaw at home / Colin Richardson -- The wild, wild world of fanzines: notes from a reluctant pornographer / Bruce La Bruce -- ? The impossibility of visual soliloquy / Anna Marie Smith -- TVOD: the never-bending story / Colin Richardson. "The Hypothetical Lesbian Heroine in Narrative Feature Film." In: Out in Culture: Gay, Lesbian, and Queer Essays on Popular Culture / edited by Corey K. Several models are discussed." [Sexual Diversity Studies] Author Abstract: "This essay chooses as its texts three films representing contemporary gay male subjects from each of the "three" China's: HK, Taiwan, and the Mainland. 1 "From Exile to Ethnicity: Nestor Almendros and Orlando Jimemez-Leal's Improper Conduct." In: The Ethnic Eye: Latino Media Arts. Packed with interviews and an array of film clips from the genre, this documentary celebrates more than half a century of queer independent filmmaking. / Rosanne Kennedy --From string of knots to orange box: lesbianism on prime time /Margaret Marshment and Julia Hallam --OUT: reflections on British television's first lesbian and gay magazine series /Diane Hamer with Penny Ashbrook --Pussy galore: lesbian images and lesbian desire in the popular cinema /Yvonne Tasker --Fostering the illusion: stepping out with Jodie /Clare Whatling --Looking lesbian: amazons and aliens in science fiction cinema /Paula Graham --Basic Instinct: damning dykes /Angela Galvin "Looking lesbian: amazons and aliens in science fiction cinema." In: The good, the bad and the gorgeous: popular culture's romance with lesbianism / edited by Diane Hamer and Belinda Budge. J.]: Fairleigh Dickinson University Press ; London ; Cranbury, N. "Hollywood as Inspiration for the Stage: The Gay Playwrights' Perspective." In: Hollywood on Stage: Playwrights Evaluate the Culture Industry / edited by Kimball King. The pornographic videos and photo spreads of the porn star Ryan Idol are examples of self-reflexivity. pp: 171-82."Queer as Desis: secret politics of gender and sexuality in Bollywood Films in diasporic urban ethnoscapes." In: Bollywood: sociology goes to the movies / Rajinder Kumar Dudrah. "Laura Mulvey meets Catherine Tramell meets the She-man: counter-history, reclamation, and incongruity in lesbian, gay, and queer film and media criticism." In: A companion to film theory / edited by Toby Miller and Robert Stam. An overview of the history of gay and lesbian cinema, from Kenneth Anger's pioneering Fireworks (1947) to Ang Lee's Brokeback mountain (2005). "Shortcomings: Questions about Pornography as Pedagogy." In: Queer Looks: Perspectives on Lesbian and Gay Film and Video / editors Martha Gever, Pratibha Parmar, John Greyson. /Sue O'Sullivan --'Cop it sweet': lesbian crime fiction /Gillian Whitlock --Making a drama out of a difference: Portrait of a Marriage /Jenny Harding --Gorgeous lesbian in LA Law: the present absence? Morohoshi." In: Q & A: queer in Asian America / edited by David L. " Gay pornography is interesting because of its self-reflexivity, which draws attention to sex as performance. "Of Hags and Crones: Reclaiming Lesbian Desire for the Trouble Zone of Aging." In: Between the Sheets, in the Streets: Queer, Lesbian, Gay Documentary / Chris Holmlund and Cynthia Fuchs, editors. It is this very insistence of gay pornography on highlighting reality, rather than focussing on fantasy, that makes it effective." [Expanded Academic Index] "The promotion of queer studies in Asian countries is discussed.
pp: 95-106 Bloomington, IN: Indiana University Press, c1997."Lesbians and Film." In: Out in Culture: Gay, Lesbian, and Queer Essays on Popular Culture / editedby Corey K. The analysis traces how each responds to two related tasks: maintaining community legitimacy,which requires racial diversification, and surviving within an altered institutional environment.
Rutgers depth of field series."Dosti and Tamanna: male-male love, difference, and normativity in Hindi cinema." In: Everyday life in South Asia / edited by Diane P. In: Queer Looks: Perspectives on Lesbian and Gay Film and Video /editors Martha Gever, Pratibha Parmar, John Greyson. New York: Routledge, 1993."I sleep behind you": male homosociality and homoeroticism in Indian parallel cinema." In: Queering India: same-sex love and eroticism in Indian culture and society / edited by Ruth Vanita. Minneapolis: University of Minnesota Press, c1994."On Not Being Lady Macbeth: Some (Troubled) Thoughts on Lesbian Spectatorship." In: Immortal, Invisible: Lesbians and the Moving Image/ edited by Tamsin. "National troubles : male matters in Israeli gay cinema." In: Brother keepers : new perspectives on Jewish masculinity / edited by Harry Brod, Shawn Israel Zevit. This paper draws on feminist and queer theory to examine the liabilities of relying on these familiar situation comedy conventions, demonstrating how the program equates gayness with a lack of masculinity, relies on sexual tension and delayed consummation, infantilizes the program's most potentially subversive characters, and emphasisizes characters' interpersonal relationships rather than the characters' connection to the larger social world.
'The Only Haircut That Makes Sense Anymore': Queer Subculture and Gay Resistance. However, it is considered to be a threat to "Jewish purity" and there is strict cultural and religious prohibition against such relationships. "Daughters of darkness: the lesbian vampire on film." In: The dread of difference: gender and the horror film / edited by Barry Keith Grant. This paper explores how Will & Grace, which has been heralded in the popular press for its positive representations of gay men, situates the potentially controversial issue of homosexuality within sap and familiar popular culture conventions, particularly those of the situation comedy genre.
K.; New York: Manchester University Press: Distributed exclusively in the USA by St. "The Erotic Female Friendship Film: Lesbianism in the Mainstream." In: In the company of women : contemporary female friendship films / Karen Hollinger. "Pee Wee Herman: The Homosexual Subtext." In: Out in Culture: Gay, Lesbian, and Queer Essays on Popular Culture / edited by Corey K. But you don't have to be gay to find that a good thing." (motion pictures depicting a gay lifestyle)(Brief Article) Time v152, n8 (August 24, 1998):73 (2 pages). Drawing on 15 in-depth interviews conducted in Western Canada in 1996, the results clearly demonstrate the existence of active lesbian viewers, whose interpretations of popular film are intimately informed by lesbian-specific life experiences and cultural competencies.
"Objects of our affection: gay films are moving into the mainstream. In its examination of the relationship between popular film and lesbian viewing practices, this study attempts to more fully elucidate current ideas around audience engagement and forms of cultural reception.
Narratives of miscegenation are common in Israeli cinema. Texas film studies series." Author's Abstract: COPYRIGHT 2002 Speech Communication Association.